DIALOGORRHEA

“Greeting.” “Counter-greeting, establishment of identity of Speaker #1.” “Polite inquiry establishing identity of Speaker #2?” “Confirming statement. Expansion on answer to place setting and time.” “Response to set up reader expectations; deliberate invocation of mise-en-scene.” “Affirmation. Background information providing exposition.” “Counter-reference expanding on previously stated expository material.” “Vague invocation of …

The Most Beautiful Fraud: Her

Even if you’d never heard of him before, you’d know from seeing Spike Jonze’s latest, Her, that he isn’t a first-time director.  Visually speaking, it’s powerfully effective, verging on masterful; he manages to set up almost every shot, even relatively inconsequential place-setting ones, in the most precise manner to deliver whatever …

Everyone’s a Critic, II

In 2013, the ‘death of the critic’ bell that has been sounding since the birth of the internet finally reached a fevered, Chuck-Berry-style ding-a-ling.  Film critics were especially hard-hit by algorithms, aggregators, and amateurism, the so-called “Five As” referred to by badly educated but enthusiastic bloggers.  Stripped of the need …

100 Guns from Now

1.  The Maltese Falcon (Warner Bros., October 3, 1941; John Huston, dir.) 2.  This Gun for Hire (Paramount, May 13, 1942; Frank Tuttle, dir.) 3.  Double Indemnity (Paramount, September 6, 1944; Billy Wilder, dir.) 4.  Laura (20th Century FOX, October 11, 1944; Otto Preminger, dir.) 5.  Murder, My Sweet (RKO Radio …

Nobody’s Perfect

In defining the “perfect crime”, there is an interesting debate between criminologists. The most commonly held interpretation is that a so-called perfect crime is one where the perpetrator is never caught – where he gets away with the murder, robbery, or whatever other nefarious deed, and escapes justice entirely. A …

King-Kubrick/33°

Rodney Ascher’s Room 237, a documentary (well, actually, a film essay, but why should we split hairs?), has recently come to Netflix Instant after a run on the festival circuit that generated a noisy buzz. Ascher’s film concerns itself with a number of convoluted, complicated, possibly brilliant and definitely insane theories …

Frankenfood

“Victor, you didn’t invite Adam over again, darling?” “Of course I did. Why wouldn’t I?” “Honestly, darling, he’s just awful. We’re getting a reputation. No one will come to our dinner parties if you keep asking him over.” “But whatever is the matter? He’s well-read, a fine speaker, mannered, very …